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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Alex Kolozsy

Alex Kolozsy left his native Transylvania for Hungary as a small child.

1 portrait in the collection

William Robertson

William Robertson

William Robertson

William Robertson, c. 1852

an unknown artist

Portrait, 1/6 plate daguerreotype, hand coloured with case

Gift of Fiona Turner (née Robertson) and John Robertson 2011. Donated through the Australian Government's Cultural Gifts Program.

Sir Hartley Williams

Sir Hartley Williams

Sir Hartley Williams (1843–1929), judge, was the third child and second son of Edward Eyre Williams and his wife, Jessie.

1 portrait in the collection

Self portrait

Elegance in exile

Portrait drawings from colonial Australia

Previous exhibition, 2012

Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.

masculine/feminine, 2010 by Bridget Mac
NYSPP 2010 winner

National Youth Self Portrait Prize

Previous exhibition, 2010

An annual event, the National Youth Self Portrait Prize seeks to encourage young people to embrace self portraiture and its expressive possibilities.

Margaret Robertson

Margaret Robertson

Margaret Robertson

Margaret Robertson, c. 1863

Batchelder & O'Neill

Portrait, albumen paper carte de visite

Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program

Jessie Street

Australia’s great internationalists

Magazine article by Penelope Grist, 2016

Penelope Grist explores the United Nations stories in the Gallery’s collection.

Jessie Street

First Ladies

Significant Australian Women 1913–2013

Previous exhibition, 2013

First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.

Self-portrait in white jacket , 1901-02 Hugh Ramsay

Wunderkind lost

Magazine article by Inga Walton, 2021

Inga Walton on the brief but brilliant life of Hugh Ramsay.

Some women you may not know, 2022-2023 Alison Alder

Some women you may not know

‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven

Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Sydney Ure Smith

Dupain detective

Magazine article by Johanna McMahon, 2019

Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.

William Robertson

200 Years of Portraiture

About Face article

To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.

Miss Robertson of Colac (Dolly), 1885-86

Brothers on farms

Magazine article by Malcolm Robertson, 2011

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

The sisters, 1904

Beguiling impressions

Magazine article by Dr Sarah Engledow, 2012

Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.

Madame Sibly, Phrenologist and Mesmerist

Sibly irresistible

Magazine article by Alexandra Roginski, 2019

Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.

© National Portrait Gallery 2024
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency