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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Satoshi Tokuhiro at Horai Gorge, Takaruzuka, Hyogo from Young Samurai – Bodybuilders of Japan Photography by Tamotsu Yato

Way of the body

Magazine article by Dr Christopher Chapman, 2019

Christopher Chapman reveals the intersection of iconoclastic Japanese figures Yukio Mishima and Tamotsu Yato.

Theodore Twombly by Alice Carroll

A.I.

Magazine article by Dr Christopher Chapman, 2015

Christopher Chapman ponders our digital identity and selfhood.

Geoffrey Graham

The mind's eye

Magazine article by Dr Christopher Chapman, 2017

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

Dr Christopher Chapman

The art of Inner Worlds

Lecture, 7 May 2011
General content

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.

Vy (Cowsill) 2016 by Rozalind Drummond

Joyful sadness

About Face article

Rozalind Drummond’s photographs in the exhibition Tough and tender let us bring our imagination to the act of looking.

Bed piece, 1972 by Chris Burden

Chris Burden

Tough & Tender
General content

In the video in Tough and tender Chris Burden narrates his performance artworks characterised by focused attention to mind over physical body.

image not online

About the exhibition

Portraits + Architecture
General content
Lesley Harding

Faces of war

Lecture, 14 May 2011
General content

Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.

Evie and Ruby at The Bend, Dec. 2019 Christopher Hopkins

Evie and Ruby at The Bend, Dec. 2019

Christopher Hopkins
Image
Billy Mann 1963 by Larry Clark

Larry Clark

Tough & Tender
General content

Larry Clark's black-and-white documentary images of young outsiders reveal raw feelings. 

Pride, 2020 Christopher Hopkins

Pride

Christopher Hopkins
Image
Dominik, First Tour, Backnang 2000 by Collier Schorr

Collier Schorr

Tough & Tender
General content

This is the first time Collier Schorr's photographs, which explore gender and identity, have been shown in Australia.

Koko & Kiko (42nd Street Series), 1980 by Larry Clark

Best buds

About Face article

It’s important to have a best bud when you’re growing up. For many boys the transition from boyhood through adolescence is defined by wanting to fit in. 

Hugh 2015, by Warwick Baker

Friends

About Face article

Warwick Baker’s photos of his friends are intimate. They hold a stillness that allows their subjects to be at ease.

Nan and Brian in bed, New York City 1983 by Nan Goldin

Nan Goldin

Tough & Tender
General content

The photographs by Nan Goldin in Tough and tender are warm images of heartache and hope.

King Barak, last of the Yarra Tribe, 1899

Barak, respected elder

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency