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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Edward Paine Butler

Poison pen

Magazine article by Michael Desmond, 2010

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

Automatic for the people: Casey Stoner

Speed demon

Magazine article by Dr Christopher Chapman, 2009

Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.

Australia (The Hon. Alfred Deakin)

Vanity fair

Magazine article by Ashleigh Wadman, 2012

Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Charles Haddon Chambers


Magazine article by Dr Sarah Engledow, 2010

Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.

Carnation, Lily, Lily, Rose, 1885-86 by 
John Singer Sargent

A feast of friends

Magazine article by Richard Ormond, 2015

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

Lustre, held by a Groom, ca. 1762 by George Stubbs

Stubbs and the horse

About Face article

One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 198485 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”

The stately lotus

About Face article

I spent much of my summer holiday at D’Omah, on the outskirts of Yogyakarta. Lotus and waterlilies sprout in extraordinary profusion in artful ponds amid palms and deep scarlet ginger flowers.

image not online

Portrait Donors

Listed by year
Honour board
Portrait of George Selth Coppin

The Multifarious Career of George Selth Coppin

Magazine article by Dr Sarah Engledow, 2004

George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

Portrait sketch of Nellie Melba

Doodles of the Diva

Magazine article by Dr Sarah Engledow, 2010

Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.

Pierre de Rigaud de Vaudreuil de Cavagnial, Marquis de Vaudreuil, ca.1753-55

Canadian identities

Magazine article by Lilly Koltun, 2004

An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.

Studio portrait of servicewoman Lance Corporal Kathleen Jean Mary (Kath) Walker, c.1942

Past present

Magazine article by Krysia Kitch, 2016

Krysia Kitch celebrates Oodgeroo Noonuccal.

The Window Seat, 1907 by Frances Hodgkins

Kiwi magpie

Magazine article by Penelope Grist, 2018

Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.

Dr Edward MacMahon, 1959 by William Dobell

Bill and Ted's excellent portrait.

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

William Shakespeare, c. 1600-1610  associated with John Taylor

Take thy face hence

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

© National Portrait Gallery 2023
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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency