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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Jenny Kee, 2015 Carla Fletcher

Twin chics

Magazine article by Joanna Gilmour, 2021

Joanna Gilmour on the exuberant union of fashion pioneers Jenny Kee and Linda Jackson, captured in luminescent splendour by artist Carla Fletcher.

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Annual Appeal

Listed by year
Honour board
Tim Winton

2020 Annual Appeal

Annual Appeal

In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.

Karl Robert, Count Nesselrode, 1818 by Sir Thomas Lawrence

The Lawrence lustre

Magazine article by Angus Trumble, 2019

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

Self portrait

Profile of a marriage

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.

Portrait of Captain James Cook RN

Capturing Cook

Magazine article by Dr Sarah Engledow, 2003

In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.

The Window Seat, 1907 by Frances Hodgkins

Kiwi magpie

Magazine article by Penelope Grist, 2018

Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.

Face of South Sudan, 2012 by Melanie Faith Dove

NPPP 2013 exhibition essay

General content

Joanna Gilmour, National Photographic Portrait Prize judge and curator, introduces the 2013 Prize.

Yhonnie and Indiana, 2012

Surface tension

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour on the National Photographic Portrait Prize 2013.

Pass to converse, 2003 by Melati Suryodarmo

Melati Suryodarmo

by Hendro Wiyanto
Artist essays

Born in Surakarta (Solo), Indonesia in 1969, Melati Suryodarmo’s first degree was in international relations.

Andrew Sachs (‘Manuel’)

Star signs

Magazine article by Barry York, 2018

Barry York charts the course from childhood request to autographed celebrity portrait anthology.

Mutiny on the Bounty (The Mutineers turning Lieutenant Bligh and part of the officers and crew adrift from His Majesty's Ship the Bounty)

High & Bligh

Magazine article by Joanna Gilmour, 2008

Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.

Jessie Street

Worth her salt

Magazine article by Joanna Gilmour, 2009

Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.

Wesley Enoch and David McAllister

Splendid, many-splendoured

Magazine article by Sandra Bruce, 2021

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

Mary Chomley

Women make history

Magazine article by Jennifer Higgie, 2022

Jennifer Higgie uncovers the intriguing stories behind portraits of women by women in the National Portrait Gallery’s collection.

© National Portrait Gallery 2022
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency