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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Barry Humphries

Clifton Pugh

Australians
Previous exhibition, 2005

This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.

Clifton Pugh painting in the studio

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Prime Minister Gough Whitlam pours soil into the hand of traditional land owner Vincent Lingiari
Prime Minister Gough Whitlam pours soil into the hand of traditional land owner Vincent Lingiari
Prime Minister Gough Whitlam pours soil into the hand of traditional land owner Vincent Lingiari

Prime Minister Gough Whitlam pours soil into the hand of traditional land owner Vincent Lingiari, 1975

Mervyn Bishop
Portrait, type C photograph on paper

Purchased 2000

Portrait of a Man (Fred Williams), 1958

Head, hand, heart

Magazine article by Michael Desmond, 2007

An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.

Escape, 2006 by Eddy Collett

Headspace 7

Me and My Place
Previous exhibition, 2006

Headspace 7: Me and My Place, the seventh in the National Portrait Gallery's series of student exhibitions, will be presented at Commonwealth Place. Me and My Place is the curatorial theme for the 2006 exhibition.

Damien Parer

Mirror With A Memory

Photographic Portraiture in Australia
Previous exhibition, 2000

This is the first major exhibition to examine photographic portraiture in Australia, from its beginnings in the early 1840s to the present day

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

8 March 2018
Archived media releases 2018

Images for media use will be available from 8 March 2018.

Dame Mabel Brookes

The hands have it

Magazine article by Angus Trumble, 2016

Angus Trumble treats the gallery’s collection with a dab hand.

Bob Hawke

Primed

Some Prime Ministers
Previous exhibition, 2019

Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.

Elle Macpherson

Australian Visit

Previous exhibition, 2006

The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.

Sidney Nolan, Western Australia

Cultural kaleidoscope

Magazine article by Dr Sarah Engledow, 2006

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.

Self-portrait, 1973 by Noel Counihan

Of jumpers and river gums, red

Magazine article by Diana O'Neil, 2016

Diana O’Neil on Noel Counihan’s vivid 1971 portrait of Alan Marshall.

Mark McManus as Will by Mark Strizic

In and out of focus

Magazine article by Gael Newton, 2017

Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.

Sisters, 2015 by André Brönnimann

Adam’s Prize Apples

Magazine article by Pamela Gerrish Nunn, 2016

Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency