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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / judith durham

Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984

The activist A-list

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

Judith Wright with Barbara Blackman

Judith Wright with Barbara Blackman

Judith Wright with Barbara Blackman

Judith Wright with Barbara Blackman, c. 1956

Charles Blackman OBE

Portrait, oil on paper laid down on board

Gift of Joanna McNiven 2018. Donated through the Australian Government's Cultural Gifts Program.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Potters' Portrait Pot

Potters' Portrait Pot

Potters' Portrait Pot

Potters' Portrait Pot, 2009

Hermannsburg Potters, Irene Mbitjana Entata, Virginia Mbitjana Rontji, Lindy Panangka Rontji, Rahel Kngwarria Ungwanaka, Rona Panangka Rubuntja, Dawn Ngala Wheeler, Judith Pungarta Inkamala, Anita Ratara Mbitjana, Hayley Panangka Coulthard, Clara Ngala Inkamala

Portrait, fired terracotta clay, underglaze

Commissioned 2009

Hermannsburg Potters

Hermannsburg Potters

Hermannsburg Potters

Hermannsburg Potters, 1999

Portrait, gelatin silver photograph on paper

Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.

Judith Wright with Barbara Blackman

Friendship’s rhyme and reason

Nearest & Dearest

Poetic trio

The Seekers reunite 50 years on

Bruce Woodley

The Seekers, folk music band, formed in 1962 when jazz singer Judith Durham met Athol Guy, who sang and played bass in a folk trio with Bruce Woodley and Keith Potger.

3 portraits in the collection

The Seekers reunite 50 years on

Keith Potger

The Seekers, folk music band, formed in 1962 when jazz singer Judith Durham met Athol Guy, who sang and played bass in a folk trio with Bruce Woodley and Keith Potger.

3 portraits in the collection

The Seekers reunite 50 years on

Athol Guy

The Seekers, folk music band, formed in 1962 when jazz singer Judith Durham met Athol Guy, who sang and played bass in a folk trio with Bruce Woodley and Keith Potger.

3 portraits in the collection

image not online

Helen Edwards

Helen Edwards, a member of Portrait Artists Australia, has been a finalist in the Black Swan Prize four times, the Shirley Hannan Portrait Prize in Bega once and has been selected for the Salon des Refusés of the Archibald twice.

1 portrait in the collection

Barbara Blackman

Barbara Blackman

Barbara Blackman

Barbara Blackman, 2008

Gorgi Dimcevski

Portrait, oil on canvas

Collection: National Portrait Gallery
Gift of Barbara Blackman 2009

The family

Literary lovers’ life liaison

Desire drives forbidden love

Girl (portrait of Barbara Blackman)

Girl (portrait of Barbara Blackman)

Girl (portrait of Barbara Blackman)

Girl (portrait of Barbara Blackman), 1969

Charles Blackman OBE

Portrait, charcoal on paper

Purchased 2009

Barbara Blackman

Barbara Blackman AO

Barbara Blackman AO (b. 1928), writer, poet and arts patron, was only fifteen when the ABC Weekly published one of her poems.

5 portraits in the collection

Portrait of Mrs Tom Roberts

2013-14 Acquisition Fund

This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.

London, 1952 by Bill Brandt

Bill Brandt

A Retrospective

Previous exhibition, 2002

From Brandt's early work that documents fixed social contrasts of pre-World War II life in Britain to his later experimentation with a surreal style, this exhibition spans 50 years of Brandt's far reaching career in an extensive assemblage of 155 vintage gelatin silver prints from the Bill Brandt Archive in London.

© National Portrait Gallery 2022
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency