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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Beach painting, 1966 by Michael Taylor

Living landscape

Magazine article by Gillian Raymond, 2016

Gillian Raymond ponders landscapes as self-portraiture in Michael Taylor’s intimate expressionism.

Blue light hypnosis, 2020 Jill Velinos

Virtually yours

Magazine article by Gillian Raymond, 2022

Gill Raymond on creating thought-provoking, interactive content to connect to our online community through portraiture.

Gazira Babeli

doppelgänger

Previous exhibition, 2009

doppelgänger is the second in a series of virtual exhibitions held by the National Portrait Gallery that explore contemporary notions of portraiture in the online environment.

Kyoto Temple Enlists Android Buddhist Deity to Help People, 23 February 2019 The Asahi Shimbun.

More than human

Magazine article by Gillian Raymond, 2023

Gillian Raymond investigates the history of humanoid robots and asks, is this the future of portraiture?

Rupert Murdoch

Corporate Characters

Magazine article by Gillian Raymond, 2005

A collection of thirty-seven caricatures by the artist Joe Greenberg capture the heroes and villians of Australian business in the 1980s.

James Raymond
James Raymond
James Raymond

James Raymond, c. 1845-1850

an unknown artist
Portrait, oil on canvas

Gift of Lydia Raymond Day 2010. Donated through the Australian Government's Cultural Gifts Program.

Barbara Blackman

Restoring histories

Magazine article by Gillian Raymond, 2004

Photographic conservation practices and the restoration of the Barbara Blackman photographic portrait.

Michael Leunig

The Philosophy of Teapots and Ducks

Magazine article by Gillian Raymond, 2005

Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.

Raymond Gosford Watt
Raymond Gosford Watt
Raymond Gosford Watt

Raymond Gosford Watt, c. 1936

Rudolph Buchner
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of Gabrielle Watt 2013

Self portrait

Modern Australian Women

Magazine article by Gillian Raymond, 2005

Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other. 

The Butcher's Daughter, 2013 by Paul Raymond Beutel

The Butcher's Daughter, 2013

by Paul Raymond Beutel
Image

New app gets kids excited about portraits at the National Portrait Gallery

29 May 2018
Archived media releases 2018

The National Portrait Gallery has officially launched a new digital interactive Gallery experience called Headhunt!, the first app of its kind being used in museums and galleries. Headhunt! is a tablet-based app for visitors aged 7-15 that encourages children to take the lead and independently explore the Gallery.

Artists and guests at the
doppelgnger exhibition
launch on Portrait Island

Virtually human

Magazine article by Gillian Raymond, 2009

Gillian Raymond describes the National Portrait Gallery's second virtual exhibition doppelgänger.

Bruny d'Entrecasteaux
Bruny d'Entrecasteaux
Bruny d'Entrecasteaux

Bruny d'Entrecasteaux, 1837

Antoine Maurin
Portrait, lithograph on paper

Collection: National Portrait Gallery
Purchased 2009

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Canberra, ACT 2600, Australia

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ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency