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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Ryan Presley, 2022 photographed by Claire Letitia Reynolds for Artist Profile

Ryan Presley

In conversation
Event, Friday 19 April

Join Marri Ngarr artist Ryan Presley in conversation to celebrate the launch of the artist’s site-specific commission Paradise won.

Brolga: A Queer Koori Wonderland

Brolga

A Queer Koori Wonderland
Event, Friday 3 May

Go find your costume box and get ready to shake your tail feathers at Brolga, this year’s iteration of the National Portrait Gallery’s 18+ late-night event!

Tomáš Kantor in Bell Shakespeare’s Twelfth Night, 2023

A Performance of Portraiture

Ralph Heimans tour
Event, Starts Thursday 16 May
Dr Alison Inglis, AM, 2023 Dena Kahan

School portraits

About Face article

Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.

Meryl Tankard

Dancer

Touring exhibition, 2024

From letting loose in the loungeroom to enthralling audiences on stage, this exhibition celebrates dance and dancers.

Self-portrait with guardian spirits, 2009-2010 Kate Beynon

Kate Beynon’s transcultural life and art

About Face article

Phoebe Lupton profiles artist Kate Beynon, whose contemplative self portrait features in Archie 100: A Century of the Archibald Prize.

Penny Fowler AM, John Barrington AM, Heidi Victoria, Elizabeth Dibbs, Tom Mosby, Hayley Baillie, Hugo Michell, Elizabeth Pakchung, Valerie Tam

The Board

Governance & Board

The Board oversees the Gallery's strategic directions, objectives and governance.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven
Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

William Robertson

200 Years of Portraiture

About Face article

To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.

Cathy Freeman

Frocked up

In Gallery Six
Current exhibition

The selection of works in Frocked up richly demonstrates the interconnectedness of costume and portraiture – and the many ways in which artists have employed the representation of dress to powerful, insightful effect.

Aretha Brown in front of her New Shakahari Wall Mural Commission at La Mama Theatre, Carlton, 2023 Mark Mohell

Aretha Brown

In conversation
Magazine article by Rebecca Ray, 2023

Gumbaynggirr artist Aretha Brown talks street art, collaboration and ghost stories with First Nations Curator and Meriam woman, Rebecca Ray.

Tempe Manning Self-portrait 1939

A potpourri of portraits

Magazine article by Natalie Wilson, 2023

Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.

Ruby (left view), 2022 Shea Kirk

National Photographic Portrait Prize 2023

Previous exhibition, 2023

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Aunty Helen, 2021 Charlie Ford

Aunty Helen

Charlie Ford
Image
blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021
blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021
blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021

blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021, 2022 (printed 2023)

Brenda L Croft
Portrait, original wet plate collodion process tintype, digital scan to Ultrachrome pigment on paper

Purchased 2023

Men of High Degree: Kev Carmody (Bundjalung/Lama Lama Peoples)
Men of High Degree: Kev Carmody (Bundjalung/Lama Lama Peoples)
Men of High Degree: Kev Carmody (Bundjalung/Lama Lama Peoples)

Men of High Degree: Kev Carmody (Bundjalung/Lama Lama Peoples), 2023

Brenda L Croft
Portrait, original wet plate collodion process tintype, digital scan to Ultrachrome pigment on paper

Purchased 2023

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency