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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Portfolio of 54 portraits compiled by Queen Victoria, 1859–1861 by John Jabez Edwin Mayall, Camille Silvy, Frances Day and William Bambridge

Queen of cartes

Magazine article by Joanna Gilmour, 2019

Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.

Caroline Amelia Elizabeth
of Brunswick, 1804

Around the grounds

Magazine article by Dr Anne Sanders, 2010

Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.

King Barak, last of the Yarra Tribe, 1899

Barak, respected elder

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.

Self portrait 1955

Portrait of the artist as a young man

Magazine article by Dr Sarah Engledow, 2010

Dr Sarah Engledow explores the early life and career of John Brack.

The last of England 1855

Pre-Raphaelite Profile

Magazine article by Michael Desmond, 2006

In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.

Portrait of Dame Elisabeth Murdoch

Dame Elisabeth Murdoch

Magazine article by Simon Elliott, 2002

The story behind the commissioning of the tapesty portrait of Dame Elisabeth Murdoch.

Bushrangers, Victoria, Australia, 1852, 1887 by William Strutt

Strutt your stuff

Magazine article by Matthew Jones, 2016

Matthew Jones on the upshot of a St Kilda Road outrage.

Joan Kirner

Joan Alone

Magazine article by Julia Gillard AC, 2015

Julia Gillard pays poignant tribute to her friend and mentor, the late Joan Kirner, Victoria’s first and only female premier.

Portrait 62

National Photographic Portrait Prize 2019, the iconoclastic Japanese figures Yukio Mishima and Tamotsu Yato, Angélica Dass’ Humanæ project and more.

Self Portrait with sun damage, 2014 by Andrew Sayers.

At easel

Magazine article by Tim Bonyhady, 2016

Tim Bonyhady recalls his experience as sitter for his close friend and former National Portrait Gallery Director, the late Andrew Sayers.

Clifton Pugh and John Olsen, Dunmoochin

Poet of the Fleeting Moment

Magazine article by Simon Elliott, 2004

Mark Strizic's work crosses a broad spectrum of photographic fields including urban, industrial, commercial, and architectural photography.

Step by Step

Journey into Headspace...

Magazine article by Katherine Russell, 2007

The theme for the National Portrait Gallery's eighth exhibition of student portraiture was The Journey.

Sappho, 1865

Mrs Cameron and the V&A

Magazine article by Magda Keaney, 2003

In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.

John Clarke

Humour’s warm refuge

Magazine article by Angus Trumble, 2017

Angus Trumble pays tribute to John Clarke.

Sir Robert Strong

All you can eat

Magazine article by Lauren Dalla, 2003

In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.

Portrait sketch of Nellie Melba

Doodles of the Diva

Magazine article by Dr Sarah Engledow, 2010

Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.

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Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency