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Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.
The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Chris O'Doherty, also known as Reg Mombassa, is best-known for his Mambo imagery but he also paints a lot of self portraits.
Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.
Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.