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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Betty Muffler

Unpacked

Magazine article by Rebecca Ray, 2022

Rebecca Ray reflects on Robert Fielding’s Mayatjara series, honouring songlines and intergenerational knowedge.

Abdul Abdullah in his studio with large windows overlooking a suburban street

Abdul Abdullah

Artists and Collectives

Abdul Abdullah, a multi-disciplinary artist identifying as a Muslim and with both Malay/Indonesian and convict/settler Australian heritage, explores concepts of the ‘other’ in his highly distinctive practice based on Gadigal Country.

Sammy Dodd

2022 Annual Appeal

Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

Tiger Yaltangki
Tiger Yaltangki
Tiger Yaltangki

Tiger Yaltangki, 2021

Robert Fielding
Portrait, inkjet print on paper

Purchased with funds provided by the Annual Appeal for Contemporary Australian Photography 2022

Lustre, held by a Groom, ca. 1762 by George Stubbs

Stubbs and the horse

About Face article

One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 198485 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”

Andrew Gaze

Andrew Gaze, 2018

by George Fetting
General content

Commissioned with funds provided by Trent Birkett 2018

Andrew Gaze
Andrew Gaze
Andrew Gaze

Andrew Gaze, 2018

George Fetting
Portrait, inkjet print on paper

Commissioned with funds provided by Trent Birkett 2018

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Charles Teo

Charlie's angles

Magazine article by Stephen Phillips, 2017

Stephen Phillips talks to neurosurgeon Charlie Teo about his practice, perspectives and the anatomy of hope.

Nan and Brian in bed, New York City 1983 © Nan Goldin

Love scars

Magazine article by Katrina Osborne, 2016

Katrina Osborne immerses herself in one of photography’s most fearless chronicles.

Darren McDonald, 2016 by Mark Mohell

Darren McDonald

Explore The Popular Pet Show

The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.

Murray frees himself from straightjacket in public, 1928 by Sam Hood

Risky business

Magazine article by John Zubrzycki, 2016

John Zubrzycki lauds the characters of the Australian escapology trade.

Shall I raise my eyebrows and gasp? (Alex), 2011 by TextaQueen

Pen power

Magazine article by Jane Raffan, 2015

Politics and personae in the portraiture of TextaQueen by Jane Raffan.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling
Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

General Birdwood, the Idol of Anzac, taking a dip in the sea after a hard days work 1915

In the thick of it

Magazine article by Dr Sarah Engledow, 2010

Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.

Australian Aboriginal Cricketers
Australian Aboriginal Cricketers
Australian Aboriginal Cricketers

Australian Aboriginal Cricketers, 1867

Patrick Dawson
Portrait, albumen silver photograph on original lithograph title sheet

Purchased with funds provided by L Gordon Darling AC CMG 2009

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency