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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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General information

Thomas Archbold, Durham, 1826 by John Dempsey

Street fare

General content

The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.

Lady Jessie and Sir Donald Bradman, Kensington Park, Adelaide, South Australia

A good innings

Childhood sweethearts

King Edward VII, 1910 by George Lambert

King Edward Terrace

Behind the street name

Visiting the gallery

King Edward Terrace was named in honour of King Edward VII (1841-1910)

Portrait of Lady Eyre Williams (Jessie Gibbon)

Here’s looking at you, kid

Is he thinking of me?

Baby Guerrilla standing behind a large artwork in a room with a wooden floor and a large window looking onto a leafy green garden

Baby Guerrilla

Artists and Collectives

Baby Guerrilla is a street artist based in Naarm/Melbourne. Her exquisite large-scale drawings of figures made into paste-ups celebrate humanity.

Senator Bonner

Portrait of a nation

Australian Schools Portrait Project

Learning resource archive

Explore portraits of those who had a Canberra suburb or street named after them. For primary students.

Copeman, gardener, Great Yarmouth by John Dempsey

Calling all family history buffs

Archived media releases 2017

The National Portrait Gallery is calling on family history enthusiasts and amateur historians to tell it more about the people in its new show, Dempsey’s People: A folio of British street portraits from 1824-1844.

Billy the match man, Liverpool, 1844 by John Dempsey

Rare Set of Watercolour Paintings on Display for the First Time

Archived media releases 2017

A rare and enchanting collection of 52 portraits of British street people will be on display for the first time in the National Portrait Gallery’s winter show, Dempsey’s People: a folio of British street portraits 1824-1844.

Porter, Charing Cross, 1824 by John Dempsey

John Dempsey folio

General content

View the full collection of portraits in the exhibition.

Match woman, c.1823 by John Dempsey

Do you know more?

General content

The National Portrait Gallery is calling on family history enthusiasts and amateur historians to help reveal more about the people in Dempsey’s People: A folio of British street portraits from 1824-1844.

Some women you may not know, 2022-2023 Alison Alder

Some women you may not know

‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’

A map of the path for walking to the Gallery from Civic

Pedestrian Access

Directions for walking to the Gallery from Civic.

Angus Trumble and David Hansen

National Portrait Gallery Director's tenure ends in triumph

30 November 2018

Archived media releases 2018

National Portrait Gallery Director Angus Trumble is ending his five-year tenure with a flourish, after announcing that Gallery publication Dempsey’s People: A Folio of British Street Portraits 1824-1844 has been awarded the 2018 William MB Berger Prize for British Art History.

Ned Kelly death mask

The Waxworks

General content

Waxworks were among the various types of entertainment venue to emerge in Australian cities in the mid-nineteenth century.

At the Pantechnetheca, Exhibition, Eastern Arcade, Dominick Sonsee, the smallest man in the world

The Freak Show

General content

Many performers availed themselves of the services of photographic studios, posing for carte de visite portraits that served as souvenirs and as instruments in the making of renown and notoriety.

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

© National Portrait Gallery 2025
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency