Lee Lin Chin, stylesetter and former broadcaster, was born in Indonesia and raised in Singapore, where in 1968 she began working in television and radio.
2 portraits in the collection
Gift of the artist 2021
Gift of the artist 2006
aka substantial sideburns extending to the lower jaw, paired with a clean-shaven chin and upper lip – was a standard look for gents in pre-Victorian times.
Not unlike the style famously observed by Abraham Lincoln, the Hooker consists of a furry chinstrap, starting alongside the ears, clinging to the ridge of jawbone and joining at the chin.
Somewhat like the Lambert but more avuncular, more businesslike, less dandified or effete – the sort of style you’d expect to see on a bank manager in the 1920s.
Rosaleen Norton (1917-1979) self-proclaimed witch and artist, is now best remembered as the woman whose perverse influence contributed substantially to the downfall of conductor Eugene Goossens.
1 portrait in the collection
Recorded 2017
Rennie Ellis photographs the self-proclaimed 'Witch of Kings Cross'.
The second instalment of a display featuring bold contemporary portraits drawn from the collection. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
George Fetting (b. 1964) is a Sydney-based photographer specialising in portrait, travel and editorial work.
8 portraits in the collection
April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.
When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
Following the success of Glossy: Faces, Magazines, Now in 1999 the National Portrait Gallery again highlights the huge array of contemporary portraiture in the pages of magazines.