Jarinyanu David Downs (c. 1925–1995), Wangkajunga/Walmajarri painter, printmaker and preacher, lived a traditional life in the Great Sandy Desert of West Australia until he was a young man.
2 portraits in the collection
Purchased 2017
Purchased 2005
Born: 1947, Gilbun – Mabel Downs Station, WA
Works: Warmun, WA
Gift of Patrick Corrigan AM 2013. Donated through the Australian Government's Cultural Gifts Program.
Paddy Nyunkuny Bedford (1920/1924–2007), also known as Goowoomji or Guwumji, artist and Gija elder, was born on Bedford Downs Station, near Warmun in Western Australia.
1 portrait in the collection
Friedrich Wilhelm Ludwig Leichhardt (1813-c. 1848) went to school and university in Germany but the range of his interests was such that he never actually graduated (he was later called Dr Leichhardt in recognition of his broad scholarship).
1 portrait in the collection
The second row of paintings recall stories relating to specific sites, experiences and activities.
Sir Frederick George Denham Bedford GCB GCVO (1838–1913) was governor of Western Australia from 1903 to 1909.
1 portrait in the collection
Purchased 2015
Mabel Forrest (née Mills, 1872–1935), writer, was born near Yandilla on the Darling Downs and grew up on various cattle stations in the district, publishing her first poem at age ten.
1 portrait in the collection
Paddy Jaminji (Jampin) (1912-1996), Kija visual artist, spent much of his life in and around his country near Bedford Downs station in WA.
1 portrait in the collection
An interview with former National Portrait Gallery Director, Andrew Sayers, who describes the portrait of Sir Henry Barkly by Thomas Clark.
Rover Thomas (1926-1998), Kukatja-Wangkajunga artist, was born in the Great Sandy Desert of Western Australia and worked as a stockman and fencer before losing his employment upon the introduction of equal pay for indigenous workers in 1975.
1 portrait in the collection
Queenie McKenzie (c. 1930–1998) was a prominent Gija artist in the East Kimberley painting movement.
1 portrait in the collection
The fourth row of paintings interweave Ngarranggarni, memories, relationships and Country.