Skip to main content
Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Cate Blanchett and Ernie Dingo
Cate Blanchett and Ernie Dingo
Cate Blanchett and Ernie Dingo

Cate Blanchett and Ernie Dingo, 1994

Juno Gemes
Portrait, gelatin silver photograph, selenium toned on paper

Purchased 2004

Richard Walley
Richard Walley
Richard Walley

Richard Walley, 2015

Dr Julie Dowling
Portrait, synthetic polymer paint and red ochre on canvas

Commissioned with funds provided by Neil Archibald and Alan R. Dodge AM, Brandon and Angela Munro, Dr Walter Ong and Graeme Marshall 2015

Colin Friels
Colin Friels
Colin Friels

Colin Friels, n.d.

Stuart Campbell
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of the Estate of Stuart Campbell 2012

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

Sunset in the drawing room at Chesney Wold by Hablot Knight Brown

Portraiture in a Bleak House

About Face article

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

Darren McDonald, 2016 by Mark Mohell

Darren McDonald

Explore The Popular Pet Show

The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.

Anna Culliton, 2016 by Mark Mohell

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in. 

Anangu landscape learning

About Face article

Angus' initial perception of Uluru shifts, as he comes to see it as central to the entire order of Anangu life.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency