The National Portrait Gallery has unveiled a focus exhibition of captivating portraits by renowned artist Arthur Boyd, titled Mysterious eyes: Arthur Boyd portraits from 1945.
An open house, recollections of my early life: extracts from the reminiscences of David Boyd.
Australian portraiture of the mid-twentieth century was rich with the influence of European modernism, exemplified by the work of artists including Arthur Boyd, Judy Cassab and Clifton Pugh.
Canberran and modernist art collector Alan Boxer has generously bequeathed two works by artists Arthur Boyd and Jenny Sages to the National Portrait Gallery.
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
National Portrait Gallery Director Bree Pickering leads the executive team.
The National Portrait Gallery today announced finalists for the inaugural Darling Portrait Prize, a national new $75,000 prize for Australian portrait painting, and released selected images from the final prize pool for the popular National Photography Portrait Prize.
In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.
Directors of the National Portrait Gallery from 1998 to today.
Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2015 Prize.
The Chairman, Board, Director and staff mourn the loss of the National Portrait Gallery's inaugural director.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.
Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.