Australia's major abstract painter Yvonne Audette discusses her portrait of sculptor Robert Kippel.
The National Portrait Gallery joins the Big Draw, a program dedicated to promoting drawing as a tool for thought, creativity, social and cultural engagement.
Australian artist and Archibald Prize winner, Jenny Sages reflects on her work.
Barrie Cassidy pays textured tribute to the inimitable Bob Hawke.
Sarah Hill introduces the portrait busts of Sir Charles Kingsford Smith and Captain Charles Ulm by Enid Fleming.
Jo Bertini describes the evolution of her portrait of artists and friends Kitty Kantilla and Freda Warlapinni.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Blak Douglas reflects on his experiences, process and motivation for making portraits.
Tony Curran ponders whether our phones can change the course of painting.
Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.
Gumbaynggirr artist Aretha Brown talks street art, collaboration and ghost stories with First Nations Curator and Meriam woman, Rebecca Ray.
The National Portrait Gallery's annual survey of student self portraiture highlights the processes of personal inquiry through portraiture by students from all levels across Australia.
In association with the Glossy 2 exhibition, eight year 10,11 and 12 students spent two days transforming themselves into a variety of alter-egos in the first ever 8x10 Glossy Photo Shoot Workshop.
Rineke Dijkstra's photographic series of her subject, Almerisa Sehric, evolved over the course of 14 years.
Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.
The story behind the creation of the portrait of singer-songwriter Paul Kelly by the artist Jon Campbell.