Tedi Bills talks to George Gittoes about canvassing conflict.
Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.
Polly Borland talks to Oliver Giles about the celebrity portraits that made her name and why she’s now making more abstract art.
Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture.
Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.