Tedi Bills on how social media in the age of COVID-19 has fanned the flames of our portrait fascination.
Tedi Bills talks to George Gittoes about canvassing conflict.
Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.
Julian Burnside AO (b. 1949), barrister, grew up in Melbourne, attending Melbourne Grammar and studying economics and law at Monash in the late 1960s.
1 portrait in the collection
William Clark Haines (1810-1866), first premier of Victoria, was educated at Charterhouse and Caius College Cambridge and practised as a surgeon in England before sailing to Victoria in 1842.
1 portrait in the collection
Ada Emily Evans (1872–1947) was the first Australian woman to attain a law degree and the first woman admitted to the Bar in New South Wales.
1 portrait in the collection
Polly Borland talks to Oliver Giles about the celebrity portraits that made her name and why she’s now making more abstract art.
Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.
Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.
Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture.
Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.