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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Art Handlers' Award 2018

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The art handlers have chosen Joey by Stephanie Simcox as their favourite portrait for the NPPP 2018.

Joey, 2017 by Stephanie Simcox

Arts Handlers’ Award Announced for NPPP 2018

Archived media releases 2018

The National Portrait Gallery is pleased to announce Stephanie Simcox has received the National Photographic Portrait Prize 2018 Art Handlers’ Award for her portrait titled Joey.

Stephanie Carlton on Self portrait by Sir Anthony van Dyck

Behind the scenes

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Behind the scenes with Stephanie Carlton, International project frames conservator, National Portrait Gallery, London.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018 winner announced

Archived media releases 2018

Finalists have been eagerly awaiting the announcement of the Winner and Highly Commended for the National Photographic Portrait Prize since December. It is our pleasure to announce the Winner for 2018 is Lee Grant for her portrait titled Charlie and Highly Commended has been awarded to Filomena Rizzo for her portrait titled My Olivia.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Archived media releases 2018

Images for media use will be available from 8 March 2018.

The uncertain recovery, 2012 by Arianne McNaught

Arianne McNaught

Finalist interviews

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

Tim Fairfax AC

Tim Fairfax, 2018

by Russell Shakespeare

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Commissioned with funds provided by The Calvert-Jones Foundation 2018

Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

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Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Anna Culliton, 2016 by Mark Mohell

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay

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Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency