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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Evonne Goolagong

Black Gold

The Aboriginal and Islander Sports Hall of Fame
Previous exhibition, 2001

Reflecting the breadth and diversity of Aboriginal and Islander achievement within and beyond the world of sport, this exhibition tells the little known tales of triumph over adversity.

Linda Puna

Mayatjara by Robert Fielding

In Gallery One
Previous exhibition, 2022

The series captures Anangu Pitjantjatjara Yankunytjatjara (APY) Traditional Owners and custodians, respected and significant leaders, advocates and artists within the communities of the APY Lands.

Spencer 2016, by Warwick Baker

Tough & Tender

Previous exhibition, 2016

Art by Warwick Baker, Chris Burden, Larry Clark, Rozalind Drummond, Nan Goldin, Robert Mapplethorpe and Collier Schorr explores personal relations, individual expression and fluid identity.

Lindy Lee - Birth and Death, 2006 by Robert Scott-Mitchell

National Photographic Portrait Prize 2007

Previous exhibition, 2007

Photography is the most pervasive and popular medium for portraiture and makes a natural fit with the Gallery, being a natural extension of the Gallery's longstanding commitment to photography as a contemporary portrait medium.

William Johnson (1873—1948) by Percy Leason

Recognition

Percy Leason's Aboriginal Portraits
Previous exhibition, 1999

Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture

Some lads #1

Some Lads

In Gallery Four
Current exhibition

The Some Lads series powerfully and playfully depicts Russell Page, Larrakia man Gary Lang, Muruwari man Matthew Doyle, and Graham Blanco, a descendant of the Mer (Murray Island) people.

On train from New York to Memphis, July 4, 1956 by Alfred Wertheimer

Elvis At 21

Photographs by Alfred Wertheimer
Previous exhibition, 2013

Elvis at 21 is a photographic exhibition capturing Elvis’ rise to fame in the year 1956, before security and money built walls between him and his fans.

Bungaree, late chief of the Broken Bay tribe, Sydney

Heads of the People

A Portrait of Colonial Australia
Previous exhibition, 2000

For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history

Elle Macpherson

Polly Borland

Australians
Previous exhibition, 2001

Polly Borland: Australians, is an exhibition of 54 new portraits of significant Australians who have made a contribution to British life and who have largely made their home or based their professional life in the UK

Marcia Langton

Collection in focus: Brook Andrew

Previous exhibition, 2017

Experience the artistic clout of Brook Andrew’s portraits of Marcia Langton AM and Anthony Mundine.

King Edward VII, 1910 by George Lambert

Of Kings and men

Celebrating 100 years of the Historic Memorials Collection
Previous exhibition, 2011

This display celebrates 100 years of the Historic Memorials Collection and its role in commissioning portraits of parliamentary and judicial figures in Australia.

Anne Lambert, actor by Stuart Campbell

Between Light and Shadow

Portraits by Stuart Campbell
Previous exhibition, 2011

The late Australian photographer Stuart Campbell produced superb photographs of Australian actors of stage and screen.

Self-portrait, 1981 Robert Mappelthorpe

The Possibilities of Portraiture

Previous exhibition, 1999

What does 'portraiture mean at the end of the 20th century? At the outset of building a national portrait collection it seems an appropriate question to investigate.

The Joy Of Life, 2002 by Janelle McKay

Headspace 3

Being Me
Previous exhibition, 2002

The self-portrait enables students to explore emerging and changing aspects of their own identity, their sense of self, their place in the world, their experience of being human

All that fall

Sacrifice, life and loss in the First World War
Previous exhibition, 2015

Focussing on the wide-ranging theme of loss and absence, this exhibition provides a moving ‘portrait’ of loss during the First World War on the Australian home front. Powerful symbolic images, including contemporary works, evoke the emotional intensity of loss. All that fall: Sacrifice, life and loss in the First World War is the National Portrait Gallery’s contribution to the Anzac Centenary.

Rosaleen Norton, Witch of Kings Cross

Rennie Ellis

Aussies All
Previous exhibition, 2006

Rennie Ellis: Aussies All is a celebration of the life and work of the late Australian photographer Rennie Ellis.

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Canberra, ACT 2600, Australia

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ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency