Queen Elizabeth II is now the longest-reigning British sovereign
Last Sunday I had the privilege of appearing at the Canberra Writers’ Festival in conversation with Julia Baird. The subject of our session was Julia’s recent biography, Victoria the Queen: An Intimate Biography of the Woman who Ruled an Empire.
The Chairman, Board, Director and all the staff of the National Portrait Gallery mourn the loss of our Benefactor, Mary Isabel Murphy.
On this day eight hundred years ago at Runnymede near Windsor, King John signed Magna Carta.
The immediate chain of events that led to the outbreak of the First World War began 100 years ago on June 28.
In 1904, the Dowager Empress Marie Feodorovna of Russia purchased as a gift for her sister, Queen Alexandra, a fan composed of two-color gold, guilloché enamel, mother-of-pearl, blond tortoiseshell, gold sequins, silk, cabochon rubies, and rose diamonds from the House of Fabergé in Saint Petersburg.
I spent much of my summer holiday at D’Omah, on the outskirts of Yogyakarta. Lotus and waterlilies sprout in extraordinary profusion in artful ponds amid palms and deep scarlet ginger flowers.
Tennyson's Enoch Arden was inspired by a story that Thomas Woolner passed on to him – but whose story and of whom?
The long life and few words of a vice-regal cockatoo
I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.
To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.
Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.
Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.
In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
Penelope Grist’s spirits soar with Lisa Tomasetti’s Dancers in the Streets series.
One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 1984–85 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”