Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.
Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.
Betty Churcher AO (1931–2015), gallery director, author, painter and lecturer, was educated in Brisbane before studying art in London.
Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.
The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.
A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.
In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
To complement the exhibition Australians and the Nobel Prize, Jennifer Gason gives us a sense of the proceedings that occur during the award ceremony.
Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.
Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.
Photographer Polly Borland on capturing Queen Elizabeth II.
An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.