Anthony Browell reminisces about meeting Rose Lindsay, the wife of Australian artist Norman Lindsay.
Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).
Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.
For me, swimming was particularly special because it was the only sport that I could participate in as a kid where I could take my prosthetic leg off, jump in the water, and I could be the same as all the other kids.
Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.
Frank Hurley's celebrated images document the heroism and minutiae of Australian exploration in Antarctica.
Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.
Christopher Chapman reveals the intersection of iconoclastic Japanese figures Yukio Mishima and Tamotsu Yato.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
Martin Sharp fulfils the Pop art idiom of merging art and life.
Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.
Sharon Peoples contemplates costumes and the construction of identity.
The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.