Michael Desmond profiles the Australian songwriter and performer Neil Murray and his contribution to Australian music.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.
This issue of Portrait Magazine features portraits by Rick Amor, colonial charicatures, Les Murray, Peter Porter, Helen Garner and more.
This issue features the National Photographic Portrait Prize, Neil Murray, Lee Tulloch on Stuart Campbell, Joseph Banks, Scott Redford and more.
Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.
John Zubrzycki lauds the characters of the Australian escapology trade.
Diana O’Neil on Noel Counihan’s vivid 1971 portrait of Alan Marshall.
Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.
Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.
Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.
Barbara Blackman reflects on her experiences as a life model.