Shepard Fairey is best known for his iconic poster Obama/Hope which he made in support of Barack Obama for the 2008 US election.
Technology has been a major influence on art since the invention of the camera, particularly in the field of portraiture.
Photography is the most pervasive and popular medium for portraiture and makes a natural fit with the Gallery, being a natural extension of the Gallery's longstanding commitment to photography as a contemporary portrait medium.
Influential Indigenous Australian artist Michael Riley (1960 - 2004) created these portrait photographs between 1984 and 1990 - they stand as an intricately connected group portrait of the vibrant urban-based Indigenous arts community in Sydney's inner-west at a formative moment.
Nikki Toole has travelled the world to photograph skateboarders.
In the flesh is an enthralling and immersive experience of contemporary art that confronts the concept of humanness and the experiences of consciousness and emotion. Featuring ten Australian artists including Jan Nelson, Patricia Piccinini, Ron Mueck and Michael Peck, the exhibition explores themes of intimacy, empathy, transience, transition, vulnerability, alienation, restlessness, reflection, mortality and acceptance.
Foxhill's portraits are more concerned with describing an emotional and psychological state than the surface topography of the human face.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Magazines are the portrait galleries of the 90s... Glossy is about magazines. The exhibition presents the work of eight photographers, Australian by birth or long-term residency, who are producing portraits for publication in magazines around the world.
Australian photographer Karin Catt has photographed world leaders, a host of rock stars and Oscar-winning compatriots Russell Crowe, Nicole Kidman, and Cate Blanchett.
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
Following the success of Glossy: Faces, Magazines, Now in 1999 the National Portrait Gallery again highlights the huge array of contemporary portraiture in the pages of magazines.
Hall of Mirrors: Anne Zahalka Portraits 1987-2007 explores the thread of portraiture through the artist's prolific career, now spanning more than 20 years.
Eleven works by Brett Whiteley, centred around his scintillating 'Patrick White at Centennial Park 1979-1980'.