This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
This issue of Portrait Magazine features Grace Cossington Smith, the Fairfax portrait gift and Lewis Morley's photographs.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Dr Sarah Engledow discusses Quentin Jones's photograph of Australian author Tim Winton.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.
Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).