To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.
The Right Honourable Malcolm Fraser, AC, CH, who died in Melbourne on 20 March, was the last surviving prime minister of Australia to have been sworn of H.M. Privy Council (in 1976)—hence the “Right Honourable”.
The immediate chain of events that led to the outbreak of the First World War began 100 years ago on June 28.
The 'Yarra Boot Trunk Tragedy' unfolded a week before Christmas 1898, when some neighbourhood boys noticed a wooden box floating in the river at Richmond.
It’s important to have a best bud when you’re growing up. For many boys the transition from boyhood through adolescence is defined by wanting to fit in.
Warwick Baker’s photos of his friends are intimate. They hold a stillness that allows their subjects to be at ease.
One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 1984–85 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”
Last week ABC Television came to interview me about selfie sticks. The story was prompted by the announcement that the Metropolitan Museum of Art in New York has lately prohibited the use of these inside their galleries. So far as I am aware we have not yet encountered the phenomenon, but no doubt we will before too long.
In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
Bushranger Ben Hall and his cronies held around 40 people hostage in a pub north-west of Goulburn, telling their captives ‘don’t be alarmed; we only came here for a bit of fun’.
Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.
In honour of the launch of the Popular Pet Show, Angus recalls a diplomatic incident with an over-excited golden retriever.
The long life and few words of a vice-regal cockatoo
Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.
When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?
This year (in March) we will celebrate the twentieth anniversary of the formal establishment of the National Portrait Gallery. In the life of institutions, twenty years is not a long time.