Focussing on the wide-ranging theme of loss and absence, this exhibition provides a moving ‘portrait’ of loss during the First World War on the Australian home front. Powerful symbolic images, including contemporary works, evoke the emotional intensity of loss. All that fall: Sacrifice, life and loss in the First World War is the National Portrait Gallery’s contribution to the Anzac Centenary.
Paris based Australian photographer and filmmaker Nathalie Latham has an ongoing interest in the creative achievements of other Australian artists living in various locations around the globe.
Celebrate the people, places and sounds of Australian pub rock and its enduring impact on our nation’s identity.
The exhibition begins with Barry's childhood in Camberwell, Melbourne and chronicles his days as a struggling actor in Australia and England, his creation of characters including Barry McKenzie, Dame Edna Everage, Sandy Stone and Sir Les Patterson
Following the success of Glossy: Faces, Magazines, Now in 1999 the National Portrait Gallery again highlights the huge array of contemporary portraiture in the pages of magazines.
POL was a magazine that ran from 1969 to 1986
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
During his long and distinguished career Max Dupain took thousands of photographs of people
Magazines are the portrait galleries of the 90s... Glossy is about magazines. The exhibition presents the work of eight photographers, Australian by birth or long-term residency, who are producing portraits for publication in magazines around the world.
Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.