Sarah Hill introduces the portrait busts of Sir Charles Kingsford Smith and Captain Charles Ulm by Enid Fleming.
Stephen Phillips talks to neurosurgeon Charlie Teo about his practice, perspectives and the anatomy of hope.
Aimee Board chats to emerging photographer Charles Dennington.
Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.
Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
This issue features Cindy Sherman, Tim Storrier, Brett Whiteley and Patrick White, contemporary Chinese portraiture, Charles Blackman and more.
Marian Anderson, emerging photographer Charles Dennington, piscatorial portraits, and the poignant path of photographer Polixeni Papapetrou and more.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Explore an Indian treasure trove, photography by Robert McFarlane and Nan Goldin, Michael Taylor's expressionist paintings, the Great War portraits, and more!
Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.
Dr Christopher Chapman looks at the life of Wurundjeri elder William Barak through the portrait painted by Victor de Pury in 1899.