The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Photographic conservation practices and the restoration of the Barbara Blackman photographic portrait.
Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.
Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.
Grace Carroll contemplates the curious case of Christian Waller.
The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Penelope Grist talks to photographer Benjamin Warlngundu Ellis about capturing moments, telling stories and keeping Culture strong.
Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.
Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.