I have been reading systematically through the ads in the earliest issues of the Sydney Gazette and New South Wales Advertiser, such a rich vein of information about certain aspects of daily life in Regency Sydney.
Portraits can render honour to remarkable men and women, but there are other ways.
Desperately seeking Woolner medallions
From infamous bushranger to oyster shop display, curator Jo Gilmour explores the life of George Melville.
On this day eight hundred years ago at Runnymede near Windsor, King John signed Magna Carta.
On the day before the Hon. E. G. Whitlam, AC, QC, died last month, at the great age of 98, there were seven former prime ministers of Australia still living, plus the incumbent Mr. Abbott – eight in all.
A remarkable undated drawing by Edward Lear (1812–88) blends natural history and whimsy.
Last Sunday I had the privilege of appearing at the Canberra Writers’ Festival in conversation with Julia Baird. The subject of our session was Julia’s recent biography, Victoria the Queen: An Intimate Biography of the Woman who Ruled an Empire.
Bushranger Ben Hall and his cronies held around 40 people hostage in a pub north-west of Goulburn, telling their captives ‘don’t be alarmed; we only came here for a bit of fun’.
Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.
Angus delves into the biographies of two ambitious characters; Sir Stamford Raffles and Sir John Pope-Hennessy.
To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.
The caricaturist and engraver James Gillray's biting satires about Sir Joseph Banks.
Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.
Ensconced and meditative in crisp Tasmania, Joanna Gilmour pays tribute to passionate green advocate and photographer Olegas Truchanas.
In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.