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Finalist, DPA 2017
Single channel HD digital video
Responding to Bare, Canberra Youth Theatre in partnership with the Gallery presented a performance that explores identity.
Many performers availed themselves of the services of photographic studios, posing for carte de visite portraits that served as souvenirs and as instruments in the making of renown and notoriety.
The National Portrait Gallery is thrilled to announce nine finalists have been selected from the national call for entries for the Digital Portraiture Award 2017.
Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.
A major new exhibition celebrating love in all its guises. Opening 20 March 2021.
Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018
Commissioned with funds provided by Tim Bednall, Jillian Broadbent AO, John Kaldor AO and Naomi Milgrom AO 2018
When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’
Inspiring Australians tell their own stories in a unique new gallery audio tour, developed in collaboration with the National Library of Australia.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality.
Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.