Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.
Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other.
Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.
Karl James reflects on soldier portraiture during the Great War.
This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
James Angus discusses his major sculpture commission Geo Face Distributor with Christopher Chapman.
Tara James chats with award-winning artist Tamara Dean about portraiture prizes, the environment and the strength of women.
Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.
Karl James gives short shrift to doubts about the profile of General Sir John Monash.
Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.