Temporary road closures will block vehicle access to our building on Sunday 13 April until 3:00pm.
Temporary road closures will block vehicle access to our building on Sunday 13 April until 3:00pm.
The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.
Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.
Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.
Karl James reflects on soldier portraiture during the Great War.
This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
James Angus discusses his major sculpture commission Geo Face Distributor with Christopher Chapman.
Tara James chats with award-winning artist Tamara Dean about portraiture prizes, the environment and the strength of women.
Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.
Karl James gives short shrift to doubts about the profile of General Sir John Monash.
Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.
Leslie Moran investigates the portraits of judges in the National Portrait Gallery's collection.
This issue features the new National Portrait Gallery building, James Cook and John Banks, Cate Blanchett, Irina Baranova, Annette Kellerman, Shepard Fairey and more.
This issue features Australian cricketers, surfing legend Isabel Letham, Christos Tsiolkas, Bob Brown's portrait by Harold 'The Kangaroo' Thornton, James Angus, virtual portraits and more.
Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.
In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.
This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.
The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.
The National Portrait Gallery is an Australian Government Agency