Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.
Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.
Joanna Gilmore delights in the affecting drawings of Mathew Lynn.
Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography
Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Karl James gives short shrift to doubts about the profile of General Sir John Monash.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.