For love, not money
Brothers in harms
Leaders, painters, friends
Talented wife for a talented husband
A penny for their thoughts
The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.
These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.
Born in Manila in 1972, Alfredo Esquillo Jr majored in painting at University of Santo Thomas.
The National Portrait Gallery this week launches an online exhibition of Shirley Purdie’s remarkable self-portrait Ngalim-Ngalimbooroo Ngagenybe to coincide with Reconciliation Week.
Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018
The second row of paintings recall stories relating to specific sites, experiences and activities.
One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.
Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.