James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
A design diary retrospective.
Close encounters are the genesis for Graeme Drendel’s enticing portraiture.
Sam Bowker examines Paula Dawson's Mirror, Mirror - a holographic portrait of Graeme Murphy.
Explore convict art, photography by Ruth Hollick and Collier Schorr, an interview with neurosurgeon Charlie Teo, portraiture on money, and more!
Marian Anderson, emerging photographer Charles Dennington, piscatorial portraits, and the poignant path of photographer Polixeni Papapetrou and more.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.
Tegan McAuley looks at the evolution of video portraiture.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture