James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.
Glenn McGrath makes a strong impact on the English batsmen and the walls of the National Portrait Gallery.
This issue of Portrait Magazine features Frank Packer, unconventional portraits of Prime Ministers, Glenn McGrath, Sam Haskins, Steve Irwin and more.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.
The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.
Tegan McAuley looks at the evolution of video portraiture.
Anne Sanders imbibes Tony Bilson’s gastronomic revolution.
Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.