
Commissioned with funds provided by Trent Birkett 2018

Curator, Penny Grist, reveals how this exhibition came to be

The photographers reveal the technical side of their work and reflect on changes in their profession. Now everyone has a camera in their pocket, is everyone a photographer? What is it like to sustain a career as a photographer in the entertainment industry? How do you work with celebrity subjects, negotiate the complex logistics of big shoots, and create captivating portraits under pressure?

"It’s good to learn from old people. They keep saying when you paint you can remember that Country, just like to take a photo, but there’s the Ngarranggarni (Dreaming) and everything. Good to put it in painting, your Country, so kids can know and understand. When the old people die, young people can read the stories from the paintings. They can learn from the paintings and maybe they want to start painting too."

George Fetting was selected for the Art Handlers’ Award for his portrait Antonio Intili – Sartoria (Tailor Shop) #1.

Finalist, MDPA 2013

Digital media artist, George Khut, is creating a spectacular form of digital portraiture involving public participants.

The portrait, the priestess, is of a friend, Floria, and it's part of a project I've been working on for two years, which is 50 at 50.

Explore how process becomes part of a portrait’s story.

These books include sixteen inmates including Ned Kelly, Captain Moonlite and Frederick Deeming and twelve sketches of the deceased, including several children. For Year 7 – 9 students.

Born: 1961, Melbourne
Works: Melbourne


Consider the significance of place when telling someone’s story.

Finalist, MDPA 2013

Last night in Sydney, the National Portrait Gallery unveiled a newly commissioned portrait of Australian sporting legend Mark Ella AM.

Explore how process becomes part of a portrait’s story.