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George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

Jessica Smith looks at the 'fetching' portrait of Tasmania's first Anglican Bishop, Francis Russell Nixon by George Richmond


The story behind George Lambert's Self-portrait with Gladioli.

Close contemporaries, Thea Proctor, Margaret Preston and Grace Cossington Smith were frequently sources of inspiration and irritation to each other.

Portrait launch of Major-General Paul Cullen AC CBE DSO and Bar ED (Rtd) and George Judah Cohen.

Sarah Hill introduces the portrait busts of Sir Charles Kingsford Smith and Captain Charles Ulm by Enid Fleming.

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.

Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.

The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.

Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.

George Foxhill's self portraits were the subject of a small focus display at the National Portrait Gallery in 2006.

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.

Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.