Commissioned with funds provided by Trent Birkett 2018
Marriage: a prolonged disaster
Desirable outcomes, undesirable origins
Digital media artist, George Khut, is creating a spectacular form of digital portraiture involving public participants.
After months of anticipation, the winner for the National Photographic Portrait Prize 2017 has been announced with renowned Sydney portrait photographer Gary Grealy taking out the award. George Fetting, guest judge for the 2017 Prize, was entranced with the evocative nature of the winning portrait Richard Morecroft and Alison Mackay.
Just good friends?
Paul Kelly & The Portraits presents a multifaceted image of the performer over the course of his career.
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.
Commissioned with funds provided by Westpac Group and Optus 2018
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
These books include sixteen inmates including Ned Kelly, Captain Moonlite and Frederick Deeming and twelve sketches of the deceased, including several children. For Year 7 – 9 students.
Though initially developed by physicians, phrenology was taken up by certain non-medical practitioners who applied the theory to social questions such as education and criminal reform.
Many performers availed themselves of the services of photographic studios, posing for carte de visite portraits that served as souvenirs and as instruments in the making of renown and notoriety.