
Somewhat like the Lambert but more avuncular, more businesslike, less dandified or effete – the sort of style you’d expect to see on a bank manager in the 1920s.

Commissioned with funds provided by Trent Birkett 2018

Digital media artist, George Khut, is creating a spectacular form of digital portraiture involving public participants.

George Fetting was selected for the Art Handlers’ Award for his portrait Antonio Intili – Sartoria (Tailor Shop) #1.


A portrait of Australian rugby great, Dr Mark Loane AM MBBS FRANZO FRACS, is the latest addition to the National Portrait Gallery’s permanent collection. The work is the final in a series of three commissioned portraits of Australian rugby luminaries funded by Gallery benefactor, Mr Patrick Corrigan AM.



After months of anticipation, the winner for the National Photographic Portrait Prize 2017 has been announced with renowned Sydney portrait photographer Gary Grealy taking out the award. George Fetting, guest judge for the 2017 Prize, was entranced with the evocative nature of the winning portrait Richard Morecroft and Alison Mackay.

Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.


Commissioned with funds provided by Westpac Group and Optus 2018


These books include sixteen inmates including Ned Kelly, Captain Moonlite and Frederick Deeming and twelve sketches of the deceased, including several children. For Year 7 – 9 students.

Though initially developed by physicians, phrenology was taken up by certain non-medical practitioners who applied the theory to social questions such as education and criminal reform.

Many performers availed themselves of the services of photographic studios, posing for carte de visite portraits that served as souvenirs and as instruments in the making of renown and notoriety.