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Canberra, ACT 2600, Australia
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Joyful sadness
About Face article
Rozalind Drummond’s photographs in the exhibition Tough and tender let us bring our imagination to the act of looking.
Friends
About Face article
Warwick Baker’s photos of his friends are intimate. They hold a stillness that allows their subjects to be at ease.
Best buds
About Face article
It’s important to have a best bud when you’re growing up. For many boys the transition from boyhood through adolescence is defined by wanting to fit in.
Danger boy
About Face article
I didn’t ever meet the American artist Chris Burden but about 20 years ago I wrote to him. I was after the loan of some photographic prints of his most famous performance: he had arranged for a friend to fire a bullet so it would graze his arm.
Dempsey's people
About Face article
Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.
20/20 launch speech
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Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.
The Rothschilds, the Montefiores, and the Victorian Gold Rush
About Face article
Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.