Accomplished illustrator, painter, writer and diarist, set designer and one of the most distinguished photographers of the twentieth century, Cecil Beaton is renowned for his portraits of well known faces from the worlds of fashion, literature, and film.
From Brandt's early work that documents fixed social contrasts of pre-World War II life in Britain to his later experimentation with a surreal style, this exhibition spans 50 years of Brandt's far reaching career in an extensive assemblage of 155 vintage gelatin silver prints from the Bill Brandt Archive in London.
Focussing on the wide-ranging theme of loss and absence, this exhibition provides a moving ‘portrait’ of loss during the First World War on the Australian home front. Powerful symbolic images, including contemporary works, evoke the emotional intensity of loss. All that fall: Sacrifice, life and loss in the First World War is the National Portrait Gallery’s contribution to the Anzac Centenary.
POL was a magazine that ran from 1969 to 1986
Paris based Australian photographer and filmmaker Nathalie Latham has an ongoing interest in the creative achievements of other Australian artists living in various locations around the globe.
This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day
Celebrate the people, places and sounds of Australian pub rock and its enduring impact on our nation’s identity.
The self-portrait enables students to explore emerging and changing aspects of their own identity, their sense of self, their place in the world, their experience of being human
Facing Memory: Headspace 4 provides us with valuable insights into the thoughts, creative processes and art-making practices of secondary students from Year 7 to Year 12 from sixty-two schools in the Australian Capital Territory, regional New South Wales and Victoria
The exhibition begins with Barry's childhood in Camberwell, Melbourne and chronicles his days as a struggling actor in Australia and England, his creation of characters including Barry McKenzie, Dame Edna Everage, Sandy Stone and Sir Les Patterson
Following the success of Glossy: Faces, Magazines, Now in 1999 the National Portrait Gallery again highlights the huge array of contemporary portraiture in the pages of magazines.
Lewis Morley has a great eye for a shot and a sharp ear for a pun
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
'I have just been to my dressing case to take a peep at you.
During his long and distinguished career Max Dupain took thousands of photographs of people
Magazines are the portrait galleries of the 90s... Glossy is about magazines. The exhibition presents the work of eight photographers, Australian by birth or long-term residency, who are producing portraits for publication in magazines around the world.