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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Ellen Stirling

Don’t judge a book by its cover

Lust

You saucy minx
Ned Kelly death mask

The Waxworks

General content

Waxworks were among the various types of entertainment venue to emerge in Australian cities in the mid-nineteenth century. 
Fred Hilmer

Fred Hilmer, 2018

by Evert Ploeg
General content

Commissioned with funds provided by Dr Helen Nugent AO 2018
The Writer, Peter Goldsworthy

The Writer: Peter Goldsworthy, 2018

by Deidre But-Husaim
General content

Commissioned with funds provided by Jillian Broadbent AO and Dr Helen Nugent AO 2018.
Kaloti Parmjit, 2012 by Louise Whelan

Louise Whelan

Finalist interviews

I met Kaloti Parmjit the day I took the photo. I first visited the Sikh temple in the suburb of Glenwood to take photos as part of a social documentary project I'm undertaking for the State Library of NSW.
Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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