As Bryan Westwood’s portrait of Brian Dunlop hangs adjacent to Brian Dunlop’s portrait of the philanthropist Dr Joseph Brown AO OBE, we see the artist of one work as the subject of the other.
The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.
Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.
Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.
Edward Tom Uren AC (1921-2015), former Deputy Leader of the Australian Labor Party, was a major campaigner on environmental and urban-planning issues and rights for veterans.
Dr Sarah Engledow describes the achievements of internationally renowned burns and trauma surgeon Professor Fiona Wood.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Zhong Chen's paintings of boys on Chinese zodiac animals and kung fu images reflect his identity as a Chinese-Australian artist.
During her time in Australian politics, Dame Nancy Buttfield was an impressive advocate for equality for women and was responsible for ending the marriage bar for women in the Public Service.
Artist Kate Beynon reflects on the place of portraiture in her artistic career.
Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.
Sarah Engledow previews the beguiling summer exhibition, Idle hours.
Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.
Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.
Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.