The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham.
This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.
In the exhibition William Kentridge: Drawn from Africa at the National Gallery of Australia, the artist marries Gogol's Tsarist Russia, with that of Stalin and the damaging history of his homeland, South Africa.
National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.