The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.
Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.
Drawn from the Gallery's collection, the exhibition Face the Music explores the remarkable talents and achievements of Australian musicians, composers, conductors and celebrities associated with the music industry.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Artist David M Thomas lists some of the ideas and influences behind his video portraits.
David Gist steps beyond the public relations veneer of Australia’s official Vietnam War portrait photographs.
David Solkin ponders the provocations and inspirations of the enigmatic Thomas Gainsborough.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
I work with portraiture as a way to explore the nuances and complexities of contemporary selfhood and subjectivity.
Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.
Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.
Dr Sarah Engledow discusses the recent gift of works by David Campbell.
David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.
The portrait of Ian Roberts by Ross Watson.
Dr Christopher Chapman examines Scott Redford's photographic portrait of Australian surfer David 'Rasta' Rastovich.
The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.
This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.
The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.
The National Portrait Gallery is an Australian Government Agency