Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.
An annual event to extend traditional notions of portraiture and foster emerging artists with an interest in new technology.
Encompassing the 1820s to the 2020s, Time and Line showcases the depth and extent of our drawing collection.
The National Photographic Portrait Prize exhibition is selected from a national field of entries that reflect the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Influential Indigenous Australian artist Michael Riley (1960 - 2004) created these portrait photographs between 1984 and 1990 - they stand as an intricately connected group portrait of the vibrant urban-based Indigenous arts community in Sydney's inner-west at a formative moment.
The exhibition will feature some of the most significant portraits in the artist’s career to date, from early major works such as his painting of HM Queen Mary of Denmark through to his most recent.
Dempsey’s people: a folio of British street portraits 1824–1844 is the first exhibition to showcase the compelling watercolour images of English street people made by the itinerant English painter John Dempsey throughout the first half of the nineteenth century.
Australian photographer Rod McNicol has consistently analysed the passing of time through the evidence of the photographic portrait. At once confronting and tender, McNicol’s portrait photographs are bold and intimate.
Impressions: Painting light and life presents portraits by, and of, artists at the heart of Australian impressionism including Tom Roberts, Arthur Streeton and Frederick McCubbin.
Reconnect and reflect with our new major exhibition, Australian Love Stories (in real life!) as we explore love, affection and connection in all its guises.
This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day
This display sets two impressive portraits from the collection into direct dialogue: Sam Jinks’ sculptural self portrait and Nick Mourtzakis’ painted portrait of David Chalmers, along with related maquette and sketches.Together they explore physical and psychological manifestations of the strata of self-hood.
As a tribute to Sir William Dargie's singular contribution to Australian art and cultural institutions, and on the occasion of his birthday, The Australian War Memorial, Parliament House and the National Portrait Gallery will mount exhibitions of his work between May and October
Although perceived to be a recent phenomenon, the 'Aussie invasion' of Hollywood can actually be traced as far back as the early 1900s
The artist's diary profiles six decades of Cassab's work, from the early portrait commissions of the 1950s to later paintings that have helped confirm her eminent place in the canon of Australian portraiture.
This exhibition traces the creative output of nearly 50 years by one of Australia's landmark living photographers.